I had the opportunity to work with five student peers to design the Society of Typographic Aficionado’s TypeCon identity,

held in Milwaukee, WI in July–August 2012. The identity was designed to reflect the clean digitally designed letterforms (gray) and ornate decorative typefaces (in yellow) that reflect the history of the city and the architecture.

 
 
 
 
 
 
 
 
 
 

Process

 

We started the process by receiving a creative brief from S{o}TA,

with key pieces of information including conference location, tagline rationale, TypeCon Visual Identity traditions, and typeface considerations.

 
 

The next step was exploring our own research

on the city, wood type, and creating pencil sketches to generate as many unique concepts to present to the board.

 
 
 

Then one amazing thing happened.

Someone saw the potential in this very very ugly digital comp that changed everything.

 
 

Over the months, we continued working on multiple concepts.

But this initial idea was conceptually the strongest and most engaging for the design community and the location where the conference was held. The system combining new digital type with old wood type influences allowed us to create fun interchangeable pieces that became interactive experiences for the attendees of TypeCon2012: MKE SHIFT.

 
 

Referenced

Creative Anarchy by Denise Bosler

2015 | Project featured

"Typography Annual 3"

Jan./Feb. 2013 | Communication Arts Magazine

"A Look at The TypeCon2012 MKE Shift Identity"

fontfeed.com

"They Made the Shift"

TypeCon.com

 

Article featured on art.uga.edu. [link broken]